{"id":4002,"date":"2024-01-03T12:00:52","date_gmt":"2024-01-03T11:00:52","guid":{"rendered":"https:\/\/olivierfelixisselin.com\/?p=4002"},"modified":"2024-01-03T12:00:54","modified_gmt":"2024-01-03T11:00:54","slug":"arasozler-ve-elestiriler-capraz-portreler","status":"publish","type":"post","link":"https:\/\/olivierfelixisselin.com\/index.php\/tr\/2024\/01\/03\/arasozler-ve-elestiriler-capraz-portreler\/","title":{"rendered":"Aras\u00f6zler ve Ele\u015ftiriler – \u00c7apraz Portreler."},"content":{"rendered":"\n

Bas\u0131n makalesi \u2013 La Gazette gazetesi \u2013 Kas\u0131m 2015<\/p>\n\n\n\n

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Olivier Felix Isselin \u2013 Ar\u015fivler.<\/p>\n<\/div>\n\n\n\n

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Jean-Yves Texier Isselin Galerisi’nde.<\/h6>\n\n\n\n

Bir varl\u0131k, potansiyel hazz\u0131n\u0131n fark\u0131ndal\u0131\u011f\u0131na ve bu hazz\u0131 y\u00f6nlendirmek i\u00e7in sahip oldu\u011fu g\u00fcce dayanarak, elbette ya\u015fama sevinciyle birle\u015fti\u011finde, hi\u00e7bir kum tanesi bu ya\u015fama sevincini bozmad\u0131\u011f\u0131 s\u00fcrece \u0131\u015f\u0131k sa\u00e7ar.<\/p>\n\n\n\n

Peki bir insan ayn\u0131 anda hem bir faaliyet alan\u0131yla me\u015fgul olabilir hem de \u015fiir, sanat ele\u015ftirisi, film ele\u015ftirisi ya da edebiyat ele\u015ftirisi yapabilir mi?<\/p>\n\n\n\n

Kesinlikle evet. \u00d6nemli olan bu farkl\u0131 yaz\u0131 bi\u00e7imlerini bir araya getirebilmek ve kendi i\u00e7inde \u00f6z\u00fcne ula\u015fabilmektir. Ve orada, \u0130ngilizlerin dedi\u011fi gibi, \u00ab\u00a0ba\u015fka bir \u00e7ift kol.\u00a0\u00bb<\/p>\n\n\n\n

Olivier Isselin yeni mekan\u0131nda Jean-Yves Texier’in yakla\u015f\u0131k yirmi tablosunu sergiliyor. Bu gen\u00e7 galeri sahibi, t\u0131pk\u0131 Texier gibi Langres b\u00f6lgesinde do\u011fdu. Her zaman tan\u0131\u015f\u0131yorlard\u0131 ve Isselin’in bir g\u00fcn b\u00fcy\u00fc\u011f\u00fc Texier’i sergileme f\u0131rsat\u0131na sahip olmas\u0131 i\u00e7in orada enkarne oldu\u011fu s\u00f6ylenebilir.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Mimarl\u0131k ve sahne tasar\u0131m\u0131 alan\u0131nda ge\u00e7mi\u015fi olan gen\u00e7 bir yetenek ka\u015fifi olan Isselin, k\u00fclt\u00fcrel anlar\u0131 seviyor ve Dijon halk\u0131n\u0131n g\u00f6zlerini \u00e7a\u011fda\u015f sanata a\u00e7mak istiyor. Onun sanata bak\u0131\u015f a\u00e7\u0131s\u0131 sadece ondan keyif almak \u00fczerinedir. Onun fikri: inand\u0131klar\u0131n\u0131 desteklemek, ifade bi\u00e7imlerinin \u00e7e\u015fitlili\u011fine bak\u0131lmaks\u0131z\u0131n bir tak\u0131m\u0131 savunmak. Evet, \u00e7\u00fcnk\u00fc ba\u015flang\u0131\u00e7ta, bu mekanlardaki ilk sergilere bak\u0131ld\u0131\u011f\u0131nda, foto\u011frafa ve t\u00fcrevlerine, r\u00f6tu\u015flanm\u0131\u015f ve boyal\u0131 foto\u011fraflara vb. s\u00fcrekli odaklan\u0131lan bir y\u00f6nelimden korkulabilirdi\u2026 (John Batho, galerinin tercih etti\u011fi sanat\u00e7\u0131lar aras\u0131nda yer al\u0131yor). Bununla birlikte, duyarl\u0131l\u0131\u011f\u0131na uygun bir buket i\u00e7inde, samimi kalma arzusuyla birle\u015fen bir eklektizm g\u00f6zlemleniyor. Olivier, kendi \u00ab\u00a0ekibinin\u00a0\u00bb \u00fcyelerini, se\u00e7meli yak\u0131nl\u0131klar\u0131na g\u00f6re, etraf\u0131 koklar, arar, s\u0131n\u0131fland\u0131r\u0131r ve bulur. Ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131na de\u011fer veriyor ve trendlere ayak uydurmak yerine proje komisyonlar\u0131nda \u00e7al\u0131\u015f\u0131yor. Benimsemeyi se\u00e7ti\u011fi riskli meslek i\u00e7in gerekli k\u00fclt\u00fcr\u00fc korumak ve keskin bir anlay\u0131\u015fa sahip olmak i\u00e7in yo\u011fun seyahat ediyor, Basel, F.I.A.C. vb. \u00e7a\u011fda\u015f sanat fuarlar\u0131na ve sergilerine kat\u0131l\u0131yor. Ki\u015fisel d\u00fczeyde, daha \u00e7ok ilgili sanat\u00e7\u0131lar\u0131n prod\u00fcksiyonu ve savunmas\u0131yla ilgileniyor. Texier, galeri sahibi taraf\u0131ndan dekorasyona veya dekoratif olana d\u00fc\u015fmeden anlat\u0131sal \u015fiir boyutu anlam\u0131nda anlat\u0131 olunabilece\u011fini s\u00f6ylerken tarif etti\u011fi imaj\u0131 m\u00fckemmel bir \u015fekilde somutla\u015ft\u0131r\u0131yor. Resim modern, \u00e7a\u011fda\u015f, soyut, \u015fiddetli, nazik, fig\u00fcratif vb. olabilir ama kesinlikle bo\u015funa olmamal\u0131d\u0131r. Texier’de durum b\u00f6yle de\u011fil: Bir dizi b\u00fcst veya portre \u00e7al\u0131\u015fmas\u0131 yap\u0131yor (bu yeni \u00e7\u00fcnk\u00fc \u00e7al\u0131\u015fmalar\u0131n\u0131 yakla\u015f\u0131k on be\u015f y\u0131ld\u0131r takip ediyoruz) ve ayr\u0131ca atlara ve bo\u011falara odaklanan hayvan serisinin devam\u0131. Texier, \u00f6ncelikle ola\u011fan\u00fcst\u00fc bir ustal\u0131\u011fa ve olduk\u00e7a farkl\u0131 bir \u00e7izim stiline sahip bir ressamd\u0131r. H\u0131z\u0131, tutkuyu hissedebiliyoruz. Elindeki f\u0131r\u00e7alar pelerin g\u00f6revi g\u00f6rerek bo\u011fa tuvalinin \u00f6n\u00fcnden ge\u00e7i\u015fler yap\u0131yor. Baz\u0131 k\u00fc\u00e7\u00fck b\u00fcstlerde bir Bacon dokunu\u015fu var, portrelerde bir Soutine izi var, bazen Toulouse-Lautrec izlenimiyle kar\u0131\u015f\u0131yor ama sars\u0131lm\u0131\u015f ve bulan\u0131k bir Lautrec var. Her ne kadar Texier’in \u015fok ve yap\u0131s\u00f6k\u00fcme daha fazla dalmak, k\u0131sacas\u0131 daha \u00ab\u00a0sinirli\u00a0\u00bb olmak ya da iki e\u011filim aras\u0131nda m\u00fckemmel bir denge kurmaya \u00e7al\u0131\u015fmak aras\u0131nda hafif bir ikilem ya\u015fad\u0131\u011f\u0131 hissedilse de, bu ba\u015fl\u0131 ba\u015f\u0131na \u00e7ok ilgin\u00e7: elinin klasisizm ve \u00e7izginin epilepsisi. Atlardan ve bo\u011falardan bahsetmi\u015fken, bunlar tuvalde daha b\u00fcy\u00fck bir topluluk veya gruptan izole edilmi\u015f pikaresk fresklerin unsurlar\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor, \u00e7\u00fcnk\u00fc bir eserden di\u011ferine birbirlerine yan\u0131t veriyor gibi g\u00f6r\u00fcn\u00fcyorlar. Hayalet bir elin ta\u015f\u0131d\u0131\u011f\u0131, suyun y\u00fczeyine hafif\u00e7e dokunan f\u0131r\u00e7an\u0131n – pardon – hayalinin tuvale k\u0131sa ve neredeyse varsay\u0131msal bir \u015fekilde hissedildi\u011fi eskiz resimler; Ressam ger\u00e7ekten resim mi yap\u0131yordu, yoksa sadece bu sanall\u0131\u011f\u0131n izini kaz\u0131yacak kadar g\u00fc\u00e7l\u00fc, k\u0131sac\u0131k bir hareketi zarafetle \u00e7izdi\u011fini mi hayal etmi\u015fti?<\/p>\n\n\n\n

S\u00fcrekli ajitasyon i\u00e7inde olan bir galeri sahibinin bu serbest elektronu ile elektronik m\u00fczi\u011fe a\u015f\u0131k olan bu yaramazl\u0131k aras\u0131ndaki z\u0131tl\u0131k e\u011flenceli; bir tutku di\u011ferini beslemek i\u00e7in gereklidir. Kendisini kesinlikle \u201cWarholian\u201d olarak adland\u0131r\u0131yor ve bu, dizi tercihlerinde de g\u00f6r\u00fcl\u00fcyor. \u00d6nc\u00fcleri seviyor ama g\u00fczel klasik \u00e7izim bilimi ve bilgisinden do\u011fan bir resim yapan eski g\u00fczel bir yerel sanat\u00e7\u0131ya geri d\u00f6nmeyi k\u00fc\u00e7\u00fcmsemiyor. Dolay\u0131s\u0131yla t\u0131pk\u0131 Michel Butor’un roman i\u00e7in s\u00f6yledi\u011fi gibi, resmin bir k\u00fclt\u00fcre, belli bir d\u00f6neme kar\u015f\u0131l\u0131k geldi\u011fini d\u00fc\u015f\u00fcnme e\u011filimindeyiz. Bazen ifade g\u00fcc\u00fcn\u00fcn \u015fu veya bu b\u00f6l\u00fcm\u00fcnde (manzara, t\u00fcr sahneleri, nat\u00fcrmort, portre, soyutlama) kendini ifade etmeyi b\u0131rak\u0131r, bazen de zaman\u0131n hassasiyetine ba\u011fl\u0131 olarak yeniden ba\u015flar. \u015eu anda bu enerjinin di\u011fer daha yenilik\u00e7i ifade bi\u00e7imleri lehine bir durgunlu\u011funa tan\u0131k oluyoruz.<\/p>\n\n\n\n

Andr\u00e9 Breton’un \u00f6rne\u011fini takip eden Isselin, \u00ab\u00a0tarihsel ve kategorik a\u00e7\u0131klama\u00a0\u00bby\u0131 uyguluyor, ancak Breton’un aksine, bildi\u011fimiz gibi adam\u0131n tek naho\u015f y\u00f6n\u00fc olmayan m\u00fczi\u011fi k\u00fc\u00e7\u00fcms\u00fcyor.<\/p>\n\n\n\n

Portreler de ge\u00e7ti \u00e7\u00fcnk\u00fc Texier, benim sadece onunla yollar\u0131m kesi\u015fti: ne kadar g\u00fcler y\u00fczl\u00fc olursa olsun b\u00f6yle bir canavara kimse tecav\u00fcz edemez. Ama dikkatli ol, nazik bir dev. Kendini dayatmaz, varl\u0131\u011f\u0131yla mekan\u0131 yutmaz. Hay\u0131r, olduk\u00e7a sa\u011fduyulu, nazik ve ho\u015f, sevimli ve canl\u0131 sakall\u0131 bir adam ama sonatina benzeri hafif bir m\u00fczi\u011fi var.<\/p>\n\n\n\n

\u0130nsan duyarl\u0131l\u0131\u011f\u0131n\u0131 hissetti\u011fi, g\u00f6r\u00fcn\u00fcrdeki sadeli\u011fin alt\u0131nda sakl\u0131 karma\u015f\u0131kl\u0131\u011f\u0131 anlad\u0131\u011f\u0131 yer buras\u0131d\u0131r.<\/p>\n\n\n\n

O, her \u015feyin kendisine gelmesine izin veren, ancak bir at\u0131n eninde sonunda yapaca\u011f\u0131 gibi, yaln\u0131zca do\u011fru an geldi\u011finde, sizi kabul ettikten sonra gelen biridir. T\u0131pk\u0131 sanat\u00e7\u0131n\u0131n dans\u0131n\u0131n, i\u00e7g\u00fcd\u00fclerini konu\u015fturmak i\u00e7in edindi\u011fi becerilere dayand\u0131\u011f\u0131, neredeyse elle, k\u00f6r\u00fc k\u00f6r\u00fcne f\u0131r\u00e7alanan \u00e7ok taze, canl\u0131 ve canl\u0131 atlar gibi.<\/p>\n\n\n\n

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Bas\u0131n makalesi \u2013 La Gazette gazetesi \u2013 Kas\u0131m 2015 Olivier Felix Isselin \u2013 Ar\u015fivler. Jean-Yves […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[331],"tags":[],"class_list":["post-4002","post","type-post","status-publish","format-standard","hentry","category-non-classe-tr"],"yoast_head":"\nAras\u00f6zler ve Ele\u015ftiriler - \u00c7apraz Portreler.<\/title>\n<meta name=\"description\" content=\"Bas\u0131n makalesi - "Bir varl\u0131k, potansiyel hazz\u0131n\u0131n fark\u0131ndal\u0131\u011f\u0131 ve bu hazz\u0131 kontrol etme g\u00fcc\u00fc nedeniyle \u0131\u015f\u0131k sa\u00e7ar...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/olivierfelixisselin.com\/index.php\/tr\/2024\/01\/03\/arasozler-ve-elestiriler-capraz-portreler\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aras\u00f6zler ve Ele\u015ftiriler - 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