{"id":3305,"date":"2023-12-19T18:43:16","date_gmt":"2023-12-19T17:43:16","guid":{"rendered":"https:\/\/olivierfelixisselin.com\/?p=3305"},"modified":"2024-03-31T09:46:22","modified_gmt":"2024-03-31T07:46:22","slug":"plaza","status":"publish","type":"post","link":"https:\/\/olivierfelixisselin.com\/index.php\/sl\/2023\/12\/19\/plaza\/","title":{"rendered":"Pla\u017ea."},"content":{"rendered":"\n
\"Exhibition<\/figure>\n\n\n\n

Serija \u00ab\u00a0Pla\u017ea\u00a0\u00bb mi je pri\u0161la naravno. \u017divim v Agayu (Francoska riviera) s pogledom na morje. To mi pade v o\u010di takoj, ko se zbudim. Med nama je pla\u017ea. Pla\u017eo vidim vsak dan, vendar jo redko obi\u0161\u010dem. Ne vem, kaj je bil razlog, a nenadoma sem jo hotel pogledati. \u010cez poletje je postalo izjemno obmo\u010dje za opazovanje.<\/p>\n\n\n\n

Najprej je bila faza opazovanja. Moral sem razumeti, kako deluje. Tam so navade zelo kodificirane. Na nek na\u010din predstavlja mesto brez stavb, prostor za skupno rabo; gost prostor, z neizre\u010denimi, a ne upravljanimi pravili, ki na splo\u0161no ostaja radosten in brez konfliktov.<\/p>\n\n\n\n

Prisvajanje je razli\u010dno glede na to, ali ste sami, v paru, z dru\u017eino ali prijatelji in glede na \u010das prihoda: razli\u010dno se pozicionirate glede na gostoto kraja. Takoj ko pridete na pla\u017eo, je \u010das, da namestite brisa\u010do. Nekateri bodo razmejili pravi \u017eivljenjski prostor, drugi ne. Zgodnji vstajalec izbere najbolj\u0161i koti\u010dek in ustvari svoj prostor. Nato vidimo ustvarjanje za\u010dasne lastnine. Vsak nov sosed bo moral spo\u0161tovati dolo\u010deno razdaljo, da se bo ustalil. To obmo\u010dje prepovedi gradnje se z nara\u0161\u010danjem \u0161tevila dnevnih prebivalcev zmanj\u0161uje. Lastnina ostaja brisa\u010da ali prostor, razmejen s skupino brisa\u010d. In tudi ko je komaj kaj prostora, mora imeti vsakdo dostop do morja in odhod s pla\u017ee.<\/p>\n\n\n\n

A priori smo na pla\u017ei vsi enaki \u2026 a tudi pri kopalkah razlike ostajajo: prebivalstvo ni enako glede na izbrano pla\u017eo: oble\u010deni ali natan\u010dneje sle\u010deni ne bodo enaki: kopalke , brisa\u010de znamke , torbe za pla\u017eo \u2026 ali ne; sendvi\u010di ali restavracija; tabloid ali literatura; brisa\u010do ali le\u017ealnike\u2026<\/p>\n\n\n\n

Prav tako pla\u017ea ostaja prostor za uprizoritev samega sebe: poka\u017eemo le tisto, kar ho\u010demo pokazati: obstaja tisto, kar \u017eelimo videti, in tisto, kar \u017eelimo skriti; Odvisnice od son\u010denja in tiste, ki izkori\u0161\u010dajo, a so \u0161e vedno previdne, ker je \u00bbsonce nevarno\u00ab, tiste, ki se razkazujejo z najnovej\u0161imi prsnimi protezami, tiste, ki razkazujejo mi\u0161ice, in samozavestne\u017ei, ki se kamuflirajo \u2026 Kon\u010dno so tu \u0161e tisti brez zadrega\u2026 Ure prisotnosti so tudi ozna\u010devalci razlik. Red in nered neopazno sobivata.<\/p>\n\n\n\n

Obstaja mno\u017eica drugih pravil, a moja poanta je drugje: gre za refleksijo prisvajanja prostora. \u017delel sem vstopiti v intimo pla\u017ee, ponovno odkriti ritme, barve, red (ali nered), materiale, teksture, vzorce ali neverjetne kompozicije. Vse obsijano s svetlobo in jasnimi sencami obale Riviere. Tako sem vse poletje 2016 fotografiral pla\u017ee po preprostem, a natan\u010dnem protokolu: Kamera (Hasselblad 500C) \u2013 ena le\u010da (Zeiss 150 mm) \/ Zajem mora biti hiter, da ohrani objektivnost in ne deluje vsiljivo \/ Ljudje so prepovedani \/ Pa vendar vstopamo v zasebnost drug drugega. Bli\u017enji posnetki, detajli, \u0161ir\u0161i posnetki: je poskus prikazati, kako je prostor organiziran. Fotografije so bile posnete na ve\u010d pla\u017eah in ob vseh urah dneva: zdru\u017eiti Cannes, Agay, Fr\u00e9jus, Saint-Tropez je globalna vizija: pla\u017ee postanejo Pla\u017ea, ker \u010de mora vsaka fotografija obstajati sama zase, mora biti del serije; raznolikost je tista, ki daje pomen temu projektu.<\/p>\n\n\n\n

Trenutek brezskrbnosti v mra\u010dnem \u010dasu. Tukaj sva samo zato, da se imava skupaj. Moja idealna pla\u017ea. OFI<\/p>\n\n\n\n

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\"\u5199\u771f<\/figure>\n\n\n\n
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fotografije Olivier Felixa Isselin<\/p>\n\n\n\n

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Serija \u00ab\u00a0Pla\u017ea\u00a0\u00bb mi je pri\u0161la naravno. \u017divim v Agayu (Francoska riviera) s pogledom na morje. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[256],"tags":[],"class_list":["post-3305","post","type-post","status-publish","format-standard","hentry","category-non-classe-sl"],"yoast_head":"\n"Pla\u017ea." Fotografije - Olivier Felix Isselin<\/title>\n<meta name=\"description\" content=\"fotografska serija - "Ta serija se mi je porodila naravno. \u017divim proti morju. 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